Brooklyn based artist Carolanna Parlato explores the potential of color and shape on canvas. Gelatinous blobs ooze and flow creating a molded plasticity; contours of hand drawn and poured shapes remain legible beneath the smooth topmost layers. While purely abstract, the works’ free-flowing forms and sensual shapes bring to mind landscapes or bodies.. Parlato raises questions about the nature of popular culture that streams between synthetic plasticity and organic naturalism. Her riotously colorful biomorphic compositions re-engerize process-based Color field painting tropes with a Pop attitude and bring art historical references into the realm of the subjective.
Parlato's paintings have been written about in Art in America, The New York Times, The Boston Globe, Artcritical.com, ArtNews, Two Coats of Paint, The New Criterion and The Brooklyn Rail. Solo exhibitions of her paintings have been shown at the Islip Art Museum, the Phatory (NYC) and Elizabeth Harris Gallery in NYC. Her work was included in the exhibition “Pour” which was organized by Elisabeth Condon and Carol Prusa for the Florida Atlantic University. The show then travelled to the Asya Geisberg Gallery and the Lesley Heller Workspace in NYC. She has exhibited in numerous venues such as the Drawing Center (NYC) Art in General (NYC), White Columns (NYC), Hunterdon Art Museum (New Jersey), the Brooklyn Museum, BRIC, the Dedalus Foundation Gallery at Industry City (Brooklyn, NY) OH+T Gallery(Boston), Scott White Contemporry Art (CA), Sandroni Rey (CA), Fullerton Art Museum (CA), Amy Simon Fine Art (Westport, CT) and Morgan Lehman Gallery (NYC). Parlato’s paintings are included in the collections of the Brooklyn Museum, ArtBank Collection, US Dept. of State, Washington, DC, Public Art for Public Schools, NYC, the Francis Greenburger Collection, Islip Art Museum, Pfizer Inc. and several private collections.She received her MFA from the San Francisco Art Institute. In addition, Parlato was a recent nominee for the Anonymous Was A Woman Award.