Vista

In the Vista series, I started thinking about terrain shaped by pressure—fire, pigment, rupture. The colors feel scorched or atmospheric, like something just burned or something still glowing. I’m drawn to that tension between beauty and aftermath, between sediment and sensation.

My process begins in flux: fluid pours, shifting densities, forms that surface on their own. I work in dialogue with the paint, layering saturated color to create tension and depth. Each piece unfolds in real time—part gesture, part chemistry—where control and accident remain in constant play.