These works on paper translate fleeting natural movements—ripples, currents, and shifting air—into layered fields of color and line, where structure and flow continuously reshape one another.

My works on paper extend my painting practice into a more intimate and immediate form. Built through layered color, line, and pressure, these drawings grew out of observations of water—especially the ripples formed by the stroke of an oar while kayaking. The shifting patterns of current, reflection, and turbulence became a starting point for translating natural movement into abstract form.

Working on paper allows for a responsive process where gesture and structure evolve together. Lines gather into currents, fields of color open and compress, and forms hover between atmosphere and architecture. The drawings echo the rhythms of water, weather, and geological forces, suggesting both instability and resilience within natural systems.

In a moment shaped by environmental uncertainty and accelerating change, these works reflect on the fragile balance between human activity and the natural world. Rather than illustrating specific events, they offer a space to consider movement, interconnection, and the persistent forces that shape our shared environment.