My paintings explore abstraction as a way to hold psychological, spatial, and emotional experience at once. Built through staining, layering, abrasion, and revision, the works allow forms to emerge slowly from the surface rather than arrive fully resolved.

Influenced by shifting light, weather, and seasonal atmosphere, the paintings treat landscape as a psychological condition rather than a literal place. Color becomes both structure and sensation, while biomorphic forms, veils, arcs, and fragments behave like signals moving through the field.

I’m interested in paintings that feel partially constructed and partially discovered. Traces of earlier decisions remain visible through drips, stains, blurred edges, and excavated passages, allowing the surface to hold uncertainty, memory, and transformation.

The works invite a slower encounter with ambiguity — a space where structure and erosion, atmosphere and image, remain active and unresolved.