New Nature series

My paintings merge nature, memory, and abstraction, infusing biomorphic forms with layered tactility. I begin with fluid paint pours, letting shapes emerge organically, then build on them with hand-painted areas and gelatinous layers that heighten their physical presence.

These forms—echoing both the body and the natural world—become vessels for exploring identity, suggesting a porous boundary between inner and outer landscapes. Saturated color, unexpected overlaps, and dynamic spatial shifts channel influences from design, comics, and advertising, translating into compositions that hum with movement and space. Drawing on the legacy of Color Field painting, I aim for an immersive experience, yet my work folds in narrative traces and personal sensibility, engaging viewers in a visual dialogue about identity, connection, transformation, and the intertwined forces of nature and humanity.

Vista series

Intuitive and experimental—my work responds to how pigment flows, resists, and settles. I begin with fluid pours, allowing forms to emerge naturally, then build on them with saturated color to create depth and tension. This approach mirrors the constant flux at the heart of my practice, where everything is always in the process of becoming. For me, painting is both a material exploration and a way to think through ideas.

In the Vista series, I imagine terrain seen from above—hybrid landscapes where fire, pigment, and pressure reshape the land. Radiant color fields and atmospheric veils suggest scorched crusts, glowing fractures, and slow ruptures. I work with a palette that shifts between synthetic heat and organic residue: magentas, oxides, spectral pinks. I'm interested in how abstraction can carry contradiction: beauty and toxicity, stillness and rupture, all at the same time.